Dossier
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Fullname |
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Arcana |
IX: The Hermit
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Nature |
Persona-User
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Gender |
Male
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Place of Birth |
Golden Gai, Shinjuku, Tokyo
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Date of Birth |
Oct. 29, 1991 (Scorpio)
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Age |
20
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Faction |
Kagutsuchi, Yamaguchi-gumi
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Eyes |
Dark
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Hair |
Dark
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Height |
6'4"
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Playlist
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Izo's Theme:
Burning Bright Shinedown
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The more the light shines through me
I pretend to close my eyes
The more the dark consumes me
I pretend I'm burning
Burning bright
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In Roughly Chronological Order:
Intro The xx
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Instrumental.
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Chaconne Parts 1 & 2, Bach -- played by Itzhak Perlman
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More than a hobby.
Instrumental.
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Diamond Eyes Deftones
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For Eiko.
Time will see us realign
Diamonds reign across the sky
I will lead us to the same realm
When the coffin shakes
And the needle breaks
Come, run away with me
Come on, you'll see
Once and for all
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Undertow Tool
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Loss of control.
Two times in
I've been
Struck dumb by the voice that
Speaks
From deep
Beneath the endless water, it's
Twice as clear as heaven
Twice as loud as reason
Deep and rich, like silt on a riverbed
Just as never-ending
Current's mouth below me
Opens up around me
Suggests and beckons all while swallowing
Surrounds and drowns and sweeps me away
But I'm so comfortable
So comfortable
Shut up, shut up, shut up, shut up
You're saturating me
How could I let this bring me
Back to my knees?
Third time in
I've
Been
Baptised, by the voice that
Screams
From deep
Beneath the cold black water and it's
Half as high as heaven
Half as clear as reason
Cold and black, like silt on a riverbed
Just as never-ending
Current's mouth below me
Opens up around me
Suggests and beckons all while swallowing
Surrounds and drowns and wipes me away
But I'm so comfortable
So comfortable
Shut up, shut up, shut up, shut up
You're saturating me
How could I let this happen to me?
Why don't you kill me?
I am weak and numb and insignificant
How could I have let this
Bring me back to my knees?
Euphoria
I'm back down
I'm in the undertow
I'm helpless and I'm awake
I'm in the undertow
We die beneath the undertow
There doesn't seem no other way
Out of the undertow
Euphoria
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Sun Rises Down Acroma
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Izo meets his persona.
Hey
Something went wrong I feel great
And I don't know why but I feel
Like I could do anything now
Hey
Why in the hell did I wait?
When's the last time I felt real?
Like I could do anything now
But man I can't live if I'm fearing life
I stood to the side for so long it seems right
When it comes to self loathing
I put in my time
now I say
I don't need you or anything now
I'll give up when my sun rises down
As for now I can see I've become
One brief blinding glimpse of the sun
Hey
Somehow I see through the lies
I see all life comes from the spring
And I can do anything now
Hey
Feels like I'm losing my mind
Who needs your attacks, all the suffering?
When I could do anything now
But man I can't live if I'm fearing life
I stood to the side for so long it seems right
And when it comes to self loathing
I put in my time now I say
I don't need you or anything now
I'll give up when my sun rises down
As for now I can see I've become
One brief blinding glimpse of the sun
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Revenge Danger Mouse (Feat. The Flaming Lips)
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The lesson.
Pain
I guess it's a matter of sensation
But somehow
You have a way of avoiding it all
In my mind
I have shot you, and stabbed you through your heart
I just didn't understand
The ricochet is the second part
Cause you can't hide
What you intend
It glows in the dark
Once you've sought
The path of revenge
There's no way to stop
And the more I try to hurt you
The more that it hurts me
Strange
It seems like a character mutation
Though I have all the means
of bringing you fuckers down
I can't bring myself
To destroy upon command
Somehow forgiveness
lets the evil make the laws
No you can't hide
What you intend
It glows in the dark
Once we've become
The thing we dread
There's no way to stop
And the more I try to hurt you
The more it backfires
The more it backfires
The more that it backfires
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Parabol/Parabola Tool
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Fresh perspective.
So familiar and overwhelmingly warm
This one, this form I hold now
Embracing you, this reality here,
This one, this form I hold now, so
Wide eyed and hopeful
Wide eyed and hopefully wild
We barely remember what came before this precious moment,
Choosing to be here right now. Hold on, stay inside
This body holding me, reminding me that I am not alone in
This body makes me feel eternal. All this pain is an illusion
We barely remember
Who or what came before this precious moment
We are choosing to be here
Right now
Hold on, stay inside this
Holy reality
This holy experience
Choosing to be here in
This body
This body holding me
Be my reminder here that
I am not alone in
This body
This body holding me
Feeling eternal; all this pain is an illusion
Alive
In this holy reality
In this holy experience
Choosing to be here in...
This body
This body holding me
Be my reminder here that I am not alone in
This body
This body holding me
Feeling eternal; all this pain is an illusion
Twirling 'round with this familiar parabola
Spinning, weaving 'round each new experience
Recognize this as a holy gift and
Celebrate this chance to be
Alive and breathing
A chance to be
Alive and breathing
This body holding me
Reminds me of my own mortality
Embrace this moment, remember:
We are eternal; all this pain is an illusion
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Forever Fields 10 Years
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Uh oh.
From beneath these bones
God only knows
Who's too dark to reach
Too bright to teach
There's no life in these seeds
It's the growth of disease
It's sowing season in these forever fields
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Quote
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It is a man's own mind, not his enemy or foe, that lures him to evil ways.
--Buddha
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Origins and History
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This information is strictly for OOC consumption, unless learned IC!
Born on October 29, 1991 to Yuuta and Eiko Imaizumi in the capital of Tokyo prefecture -- specifically a small section of Shinjuku called 'Golden Gai' -- Izo began life as the third son of a family which had already grown too large for the cramped, above-bar alley flat it called home.
Izo's older brothers -- Taka and Hide -- were teenagers, already practically grown at the time of his conception. Their mother, Yuuta's first wife -- a schoolteacher -- died from a staph infection not long after the birth of her youngest son. When Yuuta retired, defeated and sad, a handful of years later from his position at a prominent but unremarkable leasing firm at the age of fifty-five, the last thing that his family expected was a young woman -- a socialite! -- to appear and cultivate new romance in those bereaved and fallow fields. That woman was Eiko, and Izo is the product of those heady days of his father's resurgent vitality and, shall we say, lust for life.
Izo carried on his shoulders from the very beginning a complicated web of familial pressures. Loved by his father for the way in which he symbolized the closing of a chapter of grief and loss, and the beginning of some new, fresh adventure, his older brothers resented Eiko's sudden usurpation of their mother's place of primacy in the family, and lost no love on the young, precocious get of their father's new union. That enmity, combined with the enormous gulf of years between eldest sons and third son, guaranteed that the siblings would never be close.
The birth of a younger sister --Kazue -- when Izo was nine placed too much weight upon the already fractured family, which creaked, groaned, wobbled, and finally toppled, splintering. Two years of open fighting between father, surrogate mother, and eldest sons led to Taka and Hide leaving for good, refuting bonds of family, and their absence would hang like a pall over the Imaizumi household for all of the rest of the years to come. Yuuta's occasional defense of his sons' anger to his new wife did no little damage to his relationship with her, too, and with time their passions cooled to something more like hardened diffidence.
As the bonds of family slowly disintegrated around them, Izo and Kazue found companionship in one another. They were already close when marital discord and the loss of their father's eldest sons and drove him to tighten his grip on the children that remained to him, becoming an overbearing presence in both of their lives. Paranoia and fear -- fear born of love, true, but no less dangerous for all that -- began to edge toward genuine psychosis. He drank. He accused. Sometimes, he hit. He could not bear the thought of losing anyone else...but as is so often the case, that very same desperate clutching for control is what drove his children to resent and rebel against him.
Izo swore to Kazue -- as brothers do -- that he would make a better life for the both of them. He'd find a way to dig them out of the twisted, smoldering wreckage of past bitternesses, leaving it behind. In the meantime, they escaped by breaking the rules in small ways, scrounging up scraps of freedom in minor rebellions: there were under-quilt readings of comic books, snacks smuggled after bedtime hours, change snuck from the purse on the counter, epithets hissed in immitation of adulthood. They stayed out late, defied calls to dinner. They left messes. Their greatest offense was building a world together, of which their father could not ever hope to be a part.
One night, they even ran hand-in-hand around the room, playing a silly game that his sister had heard would summon some sort of magical guardian -- one that she imagined could rescue them. If they needed anything, she reasoned, they needed /that/: help, of the powerful kind. He felt ridiculous, but -- loving her -- humored her request, and that night, he dreamed.
He maintained excellent grades in school, devoted to education as a means to surpass his father's authority, but that mattered very little. Small acts of independence threw his father into fits. The more Izo strayed, the more tightly wound his father's leashes became. The more tightly wound, the further Izo felt he needed to go to escape.
In this way, he started down the path that would eventually lead to his present day, estranged and living in self-imposed isolation from the very person he wished most to protect. What began as a desire for greater autonomy evolved into outright rebelliousness with the onset of adolescence, leading -- in time, and with the sharpening of his instincts, his knowledge, his desire, and his anger -- to an affiliation with the Yamaguchi-gumi's fledgeling clans in Tokyo.
Yakuza.
Fearsome men who fear nothing, like oni, like demons, like mythic figures with beautiful ink-stained skins. He was fascinated with them -- both academically, as an appreciator of the history that gave rise to them, and also on some more personal level. They resonated with his building rage and teenaged desire to lay claim to authority of his own, caught awkwardly between childhood and manhood, with his father still doing all that he could to frustrate the alchemy that would transmute Izo from one state to the other.
He was virtually nobody to them, but it didn't matter. They were his tribe. His way out. He was starstruck.
Determination and quick wits were enough to get him noticed by the Yamaguchi-gumi. He spent a summer carrying inconsequential messages from place to place, standing watch outside of a string of seedy bars, fetching whatever was wanted for whomever asked, no matter how lowly. Those same qualities saw him elevated slowly but surely, earning the notice of men he now tentatively considered his peers -- and when a few different incidents demonstrated his ability to think on his feet and make sound judgements at a moment's notice, his star began to rise in earnest.
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Ashes, Ashes, We All Fall Down
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All of that promise imploded suddenly. On a still-brisk April day in 2011, he was standing outside of a sake bar, acting as a doorman and bouncer for the family, puffing hot air into his chilly hands and trying not to drowse off near the end of his shift. When he was roughly jostled by a figure leaving the bar, he assumed it was an accident -- a drunk patron, unable to stand. He couldn't have been more wrong.
The Yamaguchi-gumi and Sumiyoshi-kai were not strangers to skirmishes in the streets. Ostensible peace between the two families did not mean utter peace, and in the present day, in Tokyo, with the Yamaguchi-gumi increasingly encroaching on what was not traditionally their territory, violence is virtually inevitable.
His first indication of how wrong his assumption had been was the sensation of a knife sliding into the crease of muscle between hipbone and stomach, a gout of hot blood traced like a laser down his chill-numbled thigh. Astonished, he gripped his attacker's hand in the blue-grey gritty light of dusk, gaping and staring. Black bodies moved frantically in the dingy night. Someone he knew passingly -- someone from his yakuza family, a brother, a familiar face -- fell to the alley pavement in front of him, throat a grisly smile in red. The man choked, sputtered, and drowned in his own blood, his eyes white with fear, black with defiance.
They were going to die, he thought, in that lightning-quick moment, a thought that was too swift to be a thought.
What happened next he would never be able to clearly recall. Like many encounters with raw intuition, one can remember the /feeling/ of something, but may have difficulty giving that feeling a name; one remembers a pervasive sense, a guiding force. Along the seam where instinct and knowledge are joined, Izo fell into his Arcana, and met his persona.
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Now
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A recent transplant from Shinjuku, Izo Imaizumi is a first-year college student at Sumaru College. Tall, quiet, perpetually stubbled, he's thus far kept more or less to himself. He doesn't seem to have any real ties in the area, though he seems to know -- if not exactly be friendly with -- Masahiko Irie, a youth four years his junior. He's polite, but if asked, some might say he seems a bit troubled, preoccupied, or aloof. Some might say he seems a bit intense.
Most would probably say, 'who?'
As for what brings a Tokyo boy all the way to Sumaru? He's close-lipped.
Traits: Smooth Runs the Water Where the Brook is Deep; You Wouldn't Like Me When I'm Angry; Brooding Like A Boss; I Knew That About You Already; Cats, Definitely Cats; Own Worst Enemy; With Friends Like These...; She's Not Heavy, She's My Sister; The Eye And The Storm; Body As Canvas: Tattoos Of The Floating World, aka: Why Izo Wears Long Sleeves In The Summer
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Persona, Resonance
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From Wikipedia:
Dakini: A dakini (Sanskrit: डाकिनी ḍākinī; Tibetan: མཁའ་འགྲོ་མ་ khandroma, Wylie: mkha' 'gro ma, TP: kanzhoima; Chinese: 空行母) is a tantric deity described as a female embodiment of enlightened energy. In the Tibetan language, dakini is rendered khandroma which means 'she who traverses the sky' or 'she who moves in space'. Sometimes the term is translated poetically as 'sky dancer' or 'sky walker'.
Dakinis, being associated with energy in all its functions, are linked with the revelation of the Anuttara Yoga Tantras or Higher Tantras, which represent the path of transformation, whereby the energy of negative emotions or kleshas, called poisons, are transformed into the luminous energy of enlightened awareness (jnana) yielding rigpa.
Thus dakinis are the guardians of the deeper mysteries of the self, and it is through them that the secrets of inner transformation are opened.'
In particular, the unique internal challenges that Izo faces are embodied best by the Ishta-deva of the East, described thus:
East
Element: Water
Chief Buddha: Vajrasattva
Consort: Mamaki
Color: Blue
Enemy: Violent Anger
Virtue: Mirror-like Wisdom
Accompanying Bodhisattvas: Kshitigarbha, Lasema, Maitreya, Pushpema
As to why such a feminine manifestation of wisdom ought to be expressed by an often brooding, darkling yakuza -- that's probably something best left to personal investigation.
Resonance
Scent: Warm incense and oils (almond, anise, caraway, moss, jasmine sambac, vanilla, jacarander wood, musk), candleflame, cold stone, the sharp tang of frozen mountain water.
Sound: Lingering, chiming, sonorous tones, both high and low: Tibetan singing bowls, instruments of meditation.
Sense: Deep clarity, emptiness, heightened awareness, meditative peace.
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Trivia
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- Izo is extremely tall, given his completely native Japanese heritage, but he's never really enjoyed basketball. His sport of choice is boxing.
- He plays the violin, and while he's definitely not a prodigy or exceptional talent, he plays well enough, having taken lessons over the course of his academic career. It helps him clear his head.
- He has a voracious appetite, and almost never turns down food.
- Izo's obsession with learning extends well beyond scholastic studies. His Arcana is The Hermit for a reason. He's as hungry for knowledge as he is for ramen, most of the time. An ideal day would combine the two, in large quantities.
- Tattoos: He has a lot of them. From the moment he fell in with the Yamaguchi-gumi he knew he wanted a full set of irezumi, and chose Ukiyo-e art, most of the images transcendental in nature. He has decades to go before he'll have anything like a full suit, but both of his arms and legs have already got ink on them. It's for this reason that he wears long sleeves, even in the summer...and being new to the area, he's likely to be particularly mindful of keeping them covered for the time being.
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Connections
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Izo has been variously seen either speaking to or visiting a small handful of people at best, though quite often it's difficult to tell what the nature of his relationship with them really is. Given his obvious criminal affiliations, it's probably no wonder that people who choose to associate with him -- for whatever reason -- are reluctant to make those associations a matter of public record. They are:
And, once, Mitsuru Kirijo kissed him. He still has the scar to prove it, even if he doesn't actually remember it.
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Logs, Stories
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Game Stories:
Logs:
To come!
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Gallery
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Yes, he needs them.
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Hats: yes.
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Everybody needs a hobby.
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Izo likes to eat. A lot.
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Studystudystudy
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See? He can smile. Sometimes.
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